Mission: Impossible – The Final Reckoning stunt coordinator Wade Eastwood has revealed that Tom Cruise got "trapped" for real while filming the movie's dangerous underwater scene.

The Final Reckoning, which may be the last installment in the iconic action franchise. It comes as no surprise that Ethan ...

Chronologically, the Mission: Impossible franchise goes in order, making it easy for newcomers to watch the movies. However, after the third film, the movies stop using numerical titles, which could ...

Impossible, it's being offered the chance to perform their own stunts. For Mission: Impossible – The Final Reckoning, Tom Cruise went above and beyond his own exceedingly high standards to deliver ...

The actor behind Benji Dunn sums up two decades' worth of challenges making these movies: "Every 'Mission: Impossible' I've ever done has had a parallel 'Mission: Impossible' running alongside it, ...

“Mission: Impossible – The Final Reckoning” is rated PG-13 for sequences of strong violence and action, bloody images, and ...

I mean, I had one or two lines in [the first 'Mission: Impossible'], and I had virtually nothing in the film. It developed ... haven't gotten to do as far as challenges as an actor?

If that ends up being the case, this weekend could challenge for the overall ... as Cruise and Paramount released this film’s predecessor, “Mission: Impossible — Dead Reckoning,” amidst ...

Of course, a Mission: Impossible film wouldn’t be a Mission ... artists who encourage and feed off each other, but also challenge themselves to continue going to greater and bolder lengths ...

(L-R) Pom Klementieff, Greg Tarzan Davis, Tom Cruise, Simon Pegg and Hayley Atwell in 'Mission: Impossible – The Final ... gave us The Saint (1997), a film now best forgotten and humbly ...

This dazzlingly ambitious finale sees Ethan Hunt take on a challenge of biblical proportions – and he doesn’t let us down ...

RELATED: As Tom Cruise Brings ‘Mission: Impossible – The Final Reckoning ... what with a worldwide rollout and a prime spot at Cannes for a film that is, essentially, the fully extended ...