From 'Gaia' to 'The Sadness', Hannah Cronk examines a new era of disease horror that has emerged in the wake of COVID-19.

The quiet revolution of Shahi Kabir’s Cops The unravelling of SI Yohannan (a terrific Dileesh Pothan) in\u00A0Ronth, written ...

Whether you're diving in right away or planning to binge it later, we’re kicking off our live coverage of the show’s epic ...

Our sexuality has always been used against us — it’s what got us arrested, pathologized, and murdered. Queer expression in ...

The problem is, by refusing to take ownership, your partner is essentially stunting the growth of your relationship. It ...

The virus spread in 28 seconds. The debt swallowed lives for decades. In 28 Years Later, the collapse is sudden, biological, ...

There are plenty of actors who basically live off their star status from other professions or their looks, and there are ...

James Whale’s audacious film opens with a tinny-but-charming “Universal Monster” musical flourish mixed with the sound effects of a bitter wind: “Pheeew!” We see a path from the horizon, down which a ...

Having started out as a video game designer, the ‘Outside the Wire’ and 'Jackpot!' scribe is eyeing a screen adaptation of ...

But somewhere inside Japanese development studio Bandai Namco, the notion of making Pac-Man into an eldritch horror in time ...

But, while the sci-fi genre was present in that Kevin Bacon-led Invisible Man movie, as were the eroticism and ultra-violence, they were watered down, making it a disappointing Hollywood swan song for ...