News

Alan Bernstein of Pleasant Ridge will screen his documentary "When We Went Mad!" on Thursday night at the Redford Theatre in Detroit.
In a delicious irony connected to its parodies, Mad magazine’s offices at one point were along Madison Avenue — the same street where New York’s famed advertising industry was flourishing in ...
“Working for Mad means never having to grow up.” John Ficarra, Mad magazine editor-in-chief 1985-2018 The Norman Rockwell Museum’s current exhibit provides a nostalgic voyage for Baby Boomers, a gold ...
Today, we're excited to introduce you to the new comic series by Tom Zilis, a freelance graphic designer and cartoonist from Richmond Hill, Georgia. The post 40 Ridiculously Absurd And Funny Comics By ...
The humor magazine that began in 1952 as a comic book making fun of other comic books soon became an institution for mocking authority in all spheres of life, from TV, movies and advertising, to ...
The humor magazine that began in 1952 as a comic book making fun of other comic books soon became an institution for mocking authority in all spheres of life, from TV, movies and advertising, to ...
Mad Magazine began in 1952 as a comic book that made fun of other comic books – and soon became an institution for mocking authority in all spheres of life, from TV, movies and advertising, to ...
The Norman Rockwell Museum show about the influential humor magazine presents a merger of two sensibilities: gentle and crude, rural and urban — and gentile and Jewish.
STOCKBRIDGE — It’s an election year, so perennial presidential candidate and MAD magazine cover boy, Alfred E. Neuman, has once again thrown his hat in the proverbial ring. The imp-faced redhead has ...
A documentary on Mad Magazine is in the works from R.J. Cutler's The Machine, Warner Bros. Unscripted Television and DC.
Warner Bros. Unscripted Television, DC and R.J. Cutler’s production hub This Machine are developing a documentary about the iconic Mad magazine. Oscar-and Emmy-winning director Jessica Yu ...
Mad magazine was the haggadah of my childhood. It was my sacred text, my script and my constant companion — so much so that I cannot imagine my childhood and early adolescence without it.