Costume designer Kirsty Cameron looked for continuity between the working Rose and the married Rose. "Even in terms of using a pale pink, even if it’s on a threadbare dress at the Red Mill.

How ‘The Power of the Dog’ Production Designer Embraced ‘Magical Qualities’ While Making the 1920s Drama. TheWrap magazine: Oscar winner Grant Major talks about the ways in which his sets ...

Production Design. Production designer Grant Major envisioned sets for “The Power of the Dog” that would carry all the history of 1920s Montana.