It’s important to remember when viewing the FSU/Asolo Conservatory’s current production of The Duchess of Malfi that the Conservatory ... but because of the themes Webster explores.

The Duchess [of Malfi] marks Doctor Who star Jodie Whittaker ... the play’s original Jacobean setting. Marc Brenner The themes of women’s rights and patriarchal greed are culturally relevant ...

“There are no better times than these to tell the story of ‘The Duchess of Malfi.’ Webster’s masterpiece is ready for new, young audiences as its themes are so relevant today,” said Mora ...

stabbings and strangulation – not to mention vulpine incestuous desire – it’s unsurprising that director Rebecca Frecknall’s production of the Jacobean tragedy “The Duchess of Malfi ...

Guillem Morales said: “There are no better times than these to tell the story of The Duchess Of Malfi. Webster’s masterpiece is ready for new, young audiences as its themes are so relevant ...

Whittaker exudes battered nobility as she declares Webster’s famous line: “I am the Duchess of Malfi still.” Later, in an extrapolation of the scene where Antonio hears her voice echoing his ...

The differences between John Webster’s 17th-century revenge tragedy The Duchess of Malfi and Zinnie Harris’ sparkily rewritten The Duchess (of Malfi) are apparent even before the lights come up.

The Duchess Of Malfi Royal National Theater: Lyttelton, London; 898 Seats; £34 ($55.50) Top Production: A Royal National Theater presentation of the play by John Webster in one act. Directed by ...

It could equally describe the reaction to the visual splendor and sheer craft of Jamie Lloyd’s ferocious production of John Webster’s bloodstained 1613 tragedy “The Duchess of Malfi.” ...

But the duchess isn’t the real heart of John Webster’s Jacobean classic. That would be Bosola, the hapless soldier who finds himself committing horrific crimes out of–well, it’s ...