This National Film Award-winning duo is best known for creating worlds that bring the past to glamorous, cinematic life. For Gangubai Kathiawadi, Amit Ray and Subrata Chakraborty — both studied art at ...

When you watch enough bad movies in life, common sense goes for a toss. The most obvious things – like language – stop making sense. For instance, deep into the hellfire that is Wild Wild Punjab, I ...

D2R Films, spearheaded by Raj and DK, has carved out a niche in the streaming space with their bold approach to storytelling. Farzi not only set new records in the streaming space with an impressive ...

The smartest thing about Sharmajee Ki Beti, Tahira Kashyap Khurrana’s directorial debut, is its title. The term is a riff on the colloquial Indianism “Sharmaji Ka Beta,” the perfect hypothetical boy ...

We have a screenplay — a bible that interconnects complicated characters in its universe — that moves like a cheetah. Nothing is really just a coincidence in Maharaja. Which means an adorable but ...

Struggling to keep up with all the latest releases? Here’s a look at what’s releasing this week across languages, on streaming. This web-series follows a police officer and psychiatrist who join ...

PT Sir aims to convey a very strong and important statement about sexual harassment and victim blaming. But director Karthik Venugopalan seems to be hesitant in pinning all his hopes on just the ...

All We Imagine As Light is an evocative, stirring portrait of Mumbai and its people – especially immigrants. Payal Kapadia, making her feature debut, tells the story of two Malayali nurses – Prabha, ...

Aarambham, based on Anush A Shetty’s Kannada language novel ‘Neenu Ninnolage Khaidi’, often sees its lead actor Miguel (Mohan Bhagath) contend with existential questions about time. “If the sun sets ...

Ever wanted to dive into a feel-good movie script that's both heartwarming and hilarious? Look no further than Laapataa Ladies! Directed by Kiran Rao, this charming satire takes you on a wild ride ...

In Hari’s newest film, the violent Rathnam, Priya Bhavani Shankar’s Mallika casually drops a rather philosophical line. “There is no definition for good and bad,” she says, as she realises that the ...

The treatment never judges the couple for their situation. The tone is matter-of-fact and dry for the most part: This is their routine, this is their marriage, and it is what it is. It’s not the ...