Steven Soderbergh often applies his brainy, process-based approach to new genres; with Presence, he tries his hand at ...
Doing his own camerawork, the director gleefully enriches the haunted-house genre with a simple but ingenious device.
Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop ...
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ScreenRant on MSN“He’s Not Going To Throw You A Fastball Over The Plate”: Presence Composer Zack Ryan Talks Working With Steven Soderbergh On The Auteur’s Foray Into HorrorScreenRant interviews Presence composer Zack Ryan about his experience working on beloved director Steven Soderbergh’s unique ...
Stephen Soderbergh’s Presence takes a step outside the haunted house genre with the bold choice to tell the story from the ...
The blowout success of 1999’s The Blair Witch Project really did a number on the horror genre. It wasn’t the first faux-found ...
The "Presence" director/editor/cinematographer/camera operator goes deep on how he cracked shooting an entire film from a ...
The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into ...
The filmmaker turns a supernatural thriller into a first-person storytelling experiment and a family drama that'd make Eugene ...
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What if a ghost could tell its own story but not speak? That is the wildly compelling premise of Presence. Director Steven Soderbergh reteams with Kimi screenwriter David Koepp for an unconventional ...
I knew almost nothing about Presence before I went to see it. I hadn’t seen a trailer or read a plot description or reviews.
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