Covid-19 Day of Reflection: ... with red roses being cast into the Thames. ... woman that loved her clothes and she was buried in that bag while people were having parties over in Parliament. ...

Monet’s technique on his three London visits between 1899 and 1901 was to begin his compositions from a vantage point by the Thames, often from his balcony in the Savoy Hotel. Altogether, more ...

Yet, ironically, Claude Monet’s paintings of the Thames in central London greatly furthered his reputation in France through the exhibition of 37 of them in Paris in 1904.

A new exhibition charts how Claude Monet's revolutionary, fog-shrouded visions of the Thames would "irreversibly alter how London saw itself". Some artists help us perceive the world more ...

Monet and London is an "enthralling and immediate" show, which immerses us in his "spectacular vision of the city". The Courtauld Gallery, London WC2. Until 19 January ...

Claude Monet’s Charing Cross Bridge, once owned by Winston Churchill, captures the smoggy yellow haze over London’s River Thames with the shadowy Houses of Parliament in the backdrop.

Monet returned to London in February 1900, having got permission to paint the Houses of Parliament from a terrace of St. Thomas’s Hospital on the south bank. In this series the familiar silhouette of ...

Twenty-one of those paintings have now been reunited in “Monet and London. Views of the Thames.” Image “London, Parliament, Sunlight in the Fog” (1904) by Claude Monet.