Doing his own camerawork, the director gleefully enriches the haunted-house genre with a simple but ingenious device.

Steven Soderbergh often applies his brainy, process-based approach to new genres; with Presence, he tries his hand at ...

ScreenRant interviews Presence composer Zack Ryan about his experience working on beloved director Steven Soderbergh’s unique ...

Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop ...

Stephen Soderbergh’s Presence takes a step outside the haunted house genre with the bold choice to tell the story from the ...

The blowout success of 1999’s The Blair Witch Project really did a number on the horror genre. It wasn’t the first faux-found ...

The "Presence" director/editor/cinematographer/camera operator goes deep on how he cracked shooting an entire film from a ...

The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into ...

What if a ghost could tell its own story but not speak? That is the wildly compelling premise of Presence. Director Steven ...

I knew almost nothing about Presence before I went to see it. I hadn’t seen a trailer or read a plot description or reviews.

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Steven Soderbergh isn’t just the director and cinematographer of his latest film. He’s also, in a way, its central character.