The film stars Lucy Liu, Chris Sullivan, Eddy Maday, and Callina Liang, and explores themes of trauma, family dynamics, and the supernatural.
Presence' writer David Koepp on the devastating reveal of who is the ghost in the house, working with Steven Soderbergh and returning to 'Jurassic World.'
Steven Soderbergh is a tough director to pin down. Now, the Oscar winner is taking on a ghost story called Presence. Soderbergh spoke with CBC's Eli Glasner about the precarious state of the industry and why he won't make another Ocean's film.
The "Presence" director/editor/cinematographer/camera operator goes deep on how he cracked shooting an entire film from a ghost's POV.
Credit: NEON Koepp expanded on this: "In the last 10 to 15 years, horror has really been prominent and changed. Gore and jump scares are huge. When people hear horror, they think of that. When I think of horror,
Doing his own camerawork, the director gleefully enriches the haunted-house genre with a simple but ingenious device.
From Presence to Ocean’s 11, Soderbergh has directed every kind of movie but none ‘as good as The Third Man’, he says. So he keeps trying.
Directed by Steven Soderbergh (Ocean's Eleven, Contagion) from a screenplay by David Koepp (Jurassic Park, Panic Room), the haunted house chiller is shot entirely from the point of view of a spirit trapped inside a suburban home (i.
The actor admits that Soderbergh's unusual way of capturing the film — told from a ghost's point of view — was a challenge to get used to: "it took the first day of shooting and a mini panic attack."
"I always operate the camera, but this was next level," the director says. "I’m really in there with the actors."
Lucy Liu stars in the director’s clever haunted-house mystery that adopts the perspective of the specter.
Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop bleeding.