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Original Language Title: Le Pont de Conflans a Moret / Pont sur la Marne Alfred Sisley, sold; to [Durand-Ruel, Paris] (1872-1928), sold; to [Alexander Reid, Glasgow],(1928); [Reid and Lefevre], London ...

Rising from a roughly cut base of marble resembling a large rock, two nude figures are delicately carved and polished smooth. A young man on his knees holds his arms behind his back, leaning forward ...

A nude male body, depicted from the knees upwards, is drawn in red chalk. He leans back and turns his head over his shoulder towards the viewer. This pose and the flattened shape of his buttocks ...

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Breenbergh specialized in paintings of Italianate landscapes with shepherds or small figures that enact scenes from the Bible or classical mythology. Here he represents an episode from Ovid’s ...

At left, in the middle distance a small girl with pale skin and long blonde hair wears a long white dress. She kneels facing left, in a grassy field dotted with sheep, looking up at a small cross tied ...

Against a medium dark brown background, monochrome tan brushstrokes depict a nude adolescent male crouching on the ground. Leaning forward on his arms, he looks ahead to the left and away from the ...

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A terracotta statue of a person standing upright on a red stone block with a white background. The statue is tan and has white discoloration throughout. They face the right and both of their arms are ...

One of the earliest forms of Chinese writing is preserved in the simple inscriptions on bronze vessels from the late Shang period. Integrally cast into the bronzes — as opposed to being incised into ...

The painting of a man wearing a tuxedo standing in front of a light gray wall. The left arm is bent at waist level, the hand holds a small white object between the fingers. The right arm is bent in a ...