Lady Gaga's new album, "MAYHEM" debuts at No. 1 on the Billboard 200 chart, scoring the superstar her seventh leader.

Lady Gaga's Mayhem debuts at Number One on the Billboard 200 albums chart, per the publication. It's the star's seventh time topping the chart and it also marks Gaga's largest debut via streaming of her career.

Lady Gaga’s “Mayhem” has made its mark as the No. 1 album in the United States this week. Her seventh studio album, “Mayhem” earns Gaga the biggest opening week for an album by a woman this year with 219,

On Popcast, a discussion about the singer’s latest “return to form” album and whether her aggressive promotion of it adds up to anything new.

Lady Gaga's Mayhem has stormed to No. 1 on the U.K.'s Official Albums Chart to give the pop icon her fifth chart-topper (March 14). The new LP now joins The Fame (2009), Born This Way (2010), Artpop (2013) and Chromatica (2020) as No.

During her interview with The New York Times published on March 8, the "Rain on Me" singer revealed that her fiancé Michael Polansky talked her out of making Mayhem a "grunge" album.

Her new album is a work of self-citation, rummaging around in Gaga’s own past for inspiration. It’s also, somehow, the freshest collection of songs she has released in years.

Lady Gaga's Mayhem has debuted at No. 1 on the ARIA Albums Chart, marking her fifth chart-topping album in Australia. The highly anticipated release stormed to the top spot, reinforcing the singer's enduring popularity Down Under.

Lady Gaga's new album "Mayhem" is a beautifully chaotic collage of songs sonically inspired by David Bowie, Prince, Nine Inch Nails and more to create a more mature version of her debut studio album entitled "The Fame" or "The Fame Monster" deluxe.

She dances on the line between clever self-referentiality and less inspired rehashing on her new LP, committing to the over-the-top excess that first made her a star.

It is as complete a statement about who Lady Gaga is in 2025 as anything could be. MAYHEM repositions Gaga as a dance diva heavily indebted to the icons who came before her to an audience as likely to know her for wearing a meat dress as for performing with Tony Bennett.