Anton Corbijn is a Dutch photographer, filmmaker, and video artist. He is best known for his black-and-white portraits of artists shot with slow shutter speeds to allow for the subtle movements and ...

Anton Corbijn: Inside Out Dutch music-biz shutterbug and occasional helmer Anton Corbijn ("Control," "The American") is asked to lay down on the cinematic equivalent of a shrink's couch in Low ...

In the history of album cover art, only two parties have become arguably almost as famous as some of the bands they shot or designed for: Hipgnosis, in the 1970s, and Anton Corbijn, from the mid ...

Dutch photographer Anton Corbijn—who captured the likes of David Bowie and Naomi Campbell in his signature saturated style—discusses why deep down he wants to be a painter ...

Telluride hosted the premiere of Anton Corbijn's doc 'Squaring the Circle,' about the designers behind some of rock's greatest album covers.

It should hardly come as a surprise that Anton Corbijn would want to make a movie about iconic rock ‘n’ roll looks. Before he began directing feature films with 2007’s striking Joy Division ...

Anton Corbijn. By the mid-1970s, Pink Floyd had grown disillusioned with the music industry, griping about artists getting “burned” in the business. So for the cover of their 1975 album, ...

Director (and rock photographer) Anton Corbijn convincingly argues the importance of the British design team Hipgnosis, whose clients included Paul McCartney, Pink Floyd and Peter Gabriel.

Filmmaker Anton Corbijn talks his new doc ‘Squaring the Circle (The Story of Hipgnosis),’ about the trailblazing graphic-design crew, at Sundance.

Filmmaker and iconic music video director Anton Corbijn is turning his camera on the most recognizable album covers of all time. From the director of “Control” and classic New Wave music ...

Anton Corbijn’s documentary shares anecdotes from the British design studio that devised some of the most famous album covers of the 1970s. By Ben Kenigsberg When you purchase a ticket for an ...

Releasing a documentary about album art in the age of streaming, when the 12-by-12-inch sleeve has given way to the digital thumbnail, seems almost quaint. But not for director Anton Corbijn. His ...