For an opera about an action hero, Camille Saint-Saens’s “Samson et Dalila” is remarkably action-free: Even the climactic moment when Delilah shears the hero’s hair takes place offstage.

One certainty emerged from this undistinguished new production of Samson Et Dalila. Patrons of the London Symphony Orchestra are in for a treat when Antonio Pappano takes over as music director.

Look for Roberto Alagna and l na Garan a in this seductive, stunning production of Saint-Saëëns'''s 'Samson et Dalila,' on Great Performances at the Met.

Depuis 45 ans, la National Gallery de Londres abrite un tableau longtemps considéré comme un chef-d’œuvre perdu du peintre ...

Roberto Alagna turns his back on the sinful razzle-dazzle of the Met’s Samson et Dalila. Ken Howard / Met Opera A particular delight of opera is that the art form can be enjoyed on so many ...

Talk about your weapons of mass seduction. Olga Borodina, as the Philistine uber-temptress Delilah in “Samson et Dalila,” has them all, and they’re hidden in plain sight. When we first ...

Get Access To Every Broadway Story Unlock access to every one of the hundreds of articles published daily on BroadwayWorld by logging in with one click. The pairing of Roberto Alagna (Samson) and ...

To describe the Metropolitan Opera’s season-opening production of Saint-Saëns’s Samson et Dalila as gaudy, cheesy, and silly is a compliment, not a complaint. The director, Darko Tresnjak ...

Après l'avoir séduit, la belle Dalila lui coupe les cheveux, secret de sa puissance. Soumis à elle, aveugle et faible, Samson cherche à tout prix à conserver sa foi et à raviver sa force.

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