In the 1940s, Mexican artist Diego Rivera had a dream: to build a sacred place to preserve and display his lifelong collection of pre-Hispanic art. Skip to main content.

Rivera not only collected artefacts but also immortalised them in his murals and designed the Anahuacalli to house them. “Diego had a great respect, affection and admiration for our ancestors ...

“This is Diego Rivera’s dream come true: a space in which art, nature and the public coexist,” said María Teresa Moya, director of the Anahuacalli. The Mexican muralist was aligned with a ...

A visitor to LACMA takes a picture of the museum’s sole Diego Rivera portrait of Frida Kahlo. Recently discovered evidence has led to new ideas about when the piece was painted — and why.

In the 1940s, Mexican artist Diego Rivera had a dream: to build a sacred place to preserve and display his lifelong collection of pre-Hispanic art. Skip to main content.

In the 1940s, Mexican artist Diego Rivera had a dream: to build a sacred place to preserve and display his lifelong collection of pre-Hispanic art. Skip to main content.

MEXICO CITY — In the 1940s, Mexican artist Diego Rivera had a dream: to build a sacred place to preserve and display his lifelong collection of pre-Hispanic art. The Anahuacalli Museum in Mexico ...

“This is Diego Rivera’s dream come true: a space in which art, nature and the public coexist,” said María Teresa Moya, director of the Anahuacalli. The Mexican muralist was aligned with a ...

“This is Diego Rivera’s dream come true: a space in which art, nature and the public coexist,” said María Teresa Moya, director of the Anahuacalli. The Mexican muralist was aligned with a ...

MEXICO CITY (AP) — In the 1940s, Mexican artist Diego Rivera had a dream: ... His 20 works on display, a press release said, were inspired by one of Rivera’s murals, ...

MEXICO CITY (AP) — In the 1940s, Mexican artist Diego Rivera had a dream: to build a sacred place to preserve and display his lifelong collection of pre-Hispanic art.

“This is Diego Rivera’s dream come true: a space in which art, nature and the public coexist,” said María Teresa Moya, director of the Anahuacalli. The Mexican muralist was aligned with a ...