A new Broadway show, based on the 1962 film Days of Wine and Roses, as well as its 1958 teleplay, opened Sunday night. The movie is about an attractive couple, played by Lee Remick and Jack Lemmon ...

The New York Times calls Days of Wine and Roses “a jazzy, aching new musical with wells of compassion!” (Critic’s Pick) and The Washington Post raves, “Kelli O’Hara and Brian d’Arcy ...

The most wonderful thing about Adam Guettel’s “Days of Wine and Roses” score is that no one will walk out of the theater humming the songs. His new musical sounds like nothing else in the ...

Days of Wine and Roses (Atlantic Theater ... but it’s hard to applaud any of their songs and anguished arias as they chart this couple’s destruction. There are outbreaks of cheery choreography ...

The worst bar sales on Broadway have got to be at Studio 54, where “Days of Wine and Roses” opened Sunday night. Even at a glittering Broadway musical, nobody wants to be clutching a sippy cup ...

“Days of Wine and Roses” often moves from scenes of pure joy to others of devastating drunkenness. In “Evanesce,” for instance, Kirsten and Joe sing and dance while popping bubbly and mix ...

“Who are you wooing? It can’t be me; you don’t know me.” This is the addiction-canon classic “Days of Wine and Roses,” though, so some of us already know them. In JP Miller’s luridly ...

It’s a good thing Craig Lucas and Adam Guettel‘s melodious and meticulous musical “The Days of Wine and Roses,” which opened Sunday night at Broadway’s Studio 54 under the skilled ...

Kelli O'Hara and Brian d'Arcy James excel as an alcoholic couple on the rocks. Days of Wine and Roses, a musical treatment of alcoholism, raises a toast that ends in shattered glass.